Outlaw Buffett
Before becoming the godfather of Gulf and Western music, Jimmy Buffett was a scrappy troubadour blending outlaw country with countercultural flair. His early albums critiqued materialism, religious hypocrisy, and politics while celebrating rebellion, indulgence, and freedom. Long before Margaritaville, Buffett struggled in Nashville, influenced by Gordon Lightfoot’s balladry and Southern roots. His 1970 debut, Down to Earth, explored themes of Vietnam, addiction, and societal discord but barely sold, and his follow-up was reportedly lost by his label.
Undeterred, Buffett found his groove in Key West, Florida, a melting pot of sailors, hippies, and locals. Immersed in island life, he soaked up stories and inspiration, which helped him land a deal with ABC/Dunhill. By 1973, with outlaw country thriving, Buffett released A White Sport Coat and a Pink Crustacean. While its sound was rooted in country, songs like “Cuban Crime of Passion” hinted at his emerging tropical influence.
Buffett’s 1974 album A1A included reflective tracks like “He Went to Paris” and the iconic “A Pirate Looks at 40,” and Roger Bartlett's cleverly written song “Dallas” started to blend country storytelling with Caribbean escapism. Despite critical praise, mainstream success eluded him.
In 1975, he composed the soundtrack for the Western film Rancho Deluxe, which flopped but showcased his evolving artistry. Meanwhile, Barnaby Records released High Cumberland Jubilee, a folk-rock gem filled with countercultural tales.
In 1976, Havana Daydreamin’ marked a turning point. Tracks like “My Head Hurts, My Feet Stink and I Don’t Love Jesus” leaned into outlaw country, while the tropical title track foreshadowed his transformation into a beach-bum bard. Critics compared him to irreverent acts like Dr. Hook, but commercial success remained modest.
Despite the laid-back image of flip-flops and cheeseburgers, Jimmy Buffett deserves recognition as one of the greatest American songwriters. Beneath the surface lies a body of work rich in wit, storytelling, and profound humanity.
Written by: The Songwriters Joint